LUO-HAN, CHEN
繪畫創作
那些人類理性無法企及的，我們稱之為不可理解的、無法預測的隨機性，在非人類的系統理所當然地運作著。
在我的繪畫裡，主題總是漂浮著。這個空間或許是海洋、天空或宇宙。之前我畫過的題材，常常處於這樣無限延伸、沒有具體形象的背景之中。
水母是我鍾愛的題材。這種生物看似無害脆弱，卻有劇毒，有些水母甚至能在某種意義上永生。 它們的身體與海水界線模糊，漂蕩的觸手有時纏繞打結。憑著本能的感覺與嘗試，交纏的觸手鬆開了。它們分開，卻又從未分離，身體的界線如此不確定。
人們吃下海蜇皮，水母成為我們身體的一部分。我們與其他非人類的存在是如此緊密纏繞。無論題材為何，我著迷的始終是在具體的畫面，呈現渾沌不明的虛無之中存在的事物。
That which lies beyond human reason, we call the incomprehensible—the unpredictable randomness that operates effortlessly in non-human systems.
In my paintings, subjects are always adrift. This space might be the ocean, the sky, or the cosmos. Many of the themes I have explored before exist within these boundless, formless backgrounds.
Jellyfish are a subject I hold dear. They appear fragile and harmless, yet some are lethally venomous, and certain species can, in a way, live forever.
Their bodies blur into the water, their drifting tentacles sometimes knotting and entwining. Yet, through instinct and trial, they unravel. They part, but they are never truly separate—the boundaries of their forms remain uncertain.
People consume jellyfish; they become part of our bodies. We are intricately entwined with other non-human beings. Regardless of the subject, what fascinates me is always the presence of things within the indistinct void—a tangible image emerging from the undefined.